 A Digital Archive Project |
| A Digital Archive Project |
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authors, articles, reviews, publications
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| BOOKS | |
 Squat Theatre / written and compiled by Eva Buchmuller and Anna Koos, Publisher New York : Artists Space, 1996.Catalog accompanying the exhibition "Mr. Dead & Mrs. Free, a history of Squat Theatre" held at Artists Space, March 30-May 25,1996. |
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 Arthur Sainer, The New Radical Theatre Notebook : New, Expanded, Revised Edition (Paperback) p 312, with text by Anna Koos pp 313-326 |
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 Theodore Shank, Beyond the Boundaries: American Alternative Theatre. Ann Arbor: University of Michigan Press, 2002. [Squat Theatre section, pp. 179-189.] - preface/table of content [pdf] |
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 Squat Theater (1969-1981) / a cura di Sabrina Galasso, Valentina Valentini. Publisher Soveria Mannelli (Catanzaro) : Rubbettino, 1998. Series Teatro contemporaneo d'autore Colibri, includes bibliographical references. (in Italian) with translations from English, including texts from "Pig, Child, Fire!" and "Andy Warhol's Last Love". |
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Thedore Shank - full list of writings and photos of Squat Theatre |
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| Squat Theatre and The Art of Living, by Don Shewey, On the Next Wave, (October 1987) |
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 Squat Theater Explodes Conventions by Roger Copeland, New York Times, (October 17, 1982)
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 Richard Schechner, The Natural / Artificial Controversy Renewed as Seen in Rumstik Road and Pig, Child, Fire! with some other notes on (New York) Theatre, Bennington Review, v.1. April 1978 |
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| Richard Schechner, Antropological Analysis, Before & After Andy Warhol's Last Love, The Drama Review, vol.22, number 3, T79, 1978 |
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| (in German) "Ein Theater, das keine Proben kennt. R. Schechner über Warhol und ein Besuch bei Squat" (aus dem Englischen), in: THEATER HEUTE 5/1979, S. 33 - 35. |
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 Richard Schechner, Between Theater and Anthropology,University of Pennsylvania Press, (1985) pp 302-308 & photo from Mr. Dead & Mrs. Free photo by Roe DiBona on inside cover |
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| Squat Theatre Underground, by Jim O'Quinn, The Drama Review, T84, Vol.23.no 4. December 1980, pp. 7-25 |
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| (in German) Jim O'Quinn: "Squat Theatre Underground 1972-76" (aus dem Englischen), in: THEATER HEUTE 9/1980, S. 30 - 38. |
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| (in Italian) Franco Quadri, Elementi drammaturgici del Patalogo: un?analisi testualei. - il patalogo 1: la stagione 1977/1978 |
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| Arthur Sainer, SOS for Squat, The Village Voice, January 1981 |
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| Gautam Dasgupta, Nature Theatre of New York, Performing Arts Journal (PAJ), v.19 (1983) |
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| Bonnie Marranca, "Bodies of action, bodies of thought: performance and its critics", PAJ: A Journal of Performance and Art - PAJ 61 (Volume 21, Number 1), January 1999, pp. 11-23, The MIT Press |
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| Alisa Solomon, Caught in the Act, Squat Theatre, 1996, pp. I-VIII |
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| PIG! CHILD! FIRE! | |
| Anne Marie Duguet, Une revolution de l'espace theatral / le squat theatre, Travail Theatral, May 1976 |
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| Plays and Players article by David Cregan, (June 1977) |
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| New Theatre Festival (TNT), by Don Shirley, Washington Post (1977) |
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| Mel Gussow's article in the New York Times Squat Abuses 23rd Street - (1977) |
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| Charles Frederic, Sensational Surrealist Subversion, The Villager, October 6, 1977 |
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| Tisch Dace, Pig! Child! Fire!, Soho Weekly News, October 13, 1977 |
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| Wendy Perron, Fearless Squatters, Soho Weekly News, October 20, 1977 |
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| Leah D. Frank, Pig, Child, Fire! in Soho Bookstore, New York Theatre Review, December 2, 1977 |
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| John Gosciak, Squat, Space, Life, Soho Weekly News, December 8, 1977 |
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| Erika Munk, Cross Left, Village Voice, May 12, 1979 |
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| Franco Quadri: Thirteen Against Theatre, Panorama, October 1978 |
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| Richard Eder, Andy Warhol's Last Love presented by Squat Theatre, The New York Times, July 6, 1978 |
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| Noel Carrol, Organic Analysis, The Drama Review, vol. 22, 3, T79, 1978 |
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| Mel Gordon, American Avantgarde Theatre: The Eighties, Flash Art, March 1980 |
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| Colette Godard, Theatre of Nations, Le Monde, May 10, 1979 |
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| Peter von Becker, Wie Kommt Kafka nach Amerika, wie Andy Warhol zu Ulrike Meinhof, Theater Heute, May 5, 1979 |
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| Arlette Namiand, Nouveau theatre a New York. Un vrai choc:le Squat Theatre, Art Press International, 1980 |
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| George Hensel, Ways of Escape in Theatre from Speech, Frankfurter Allgemeine Zeitung, May 12, 1979 |
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| Joseph Coencas, Close Encounters on West 23rd Street, WNYC, July 20, 1978 |
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| John Gosciac, Andy Warhol Blocks Traffic, Soho Weekly News, July 20, 1978 |
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| Thomas Petz, In Theater is der Teufel Los, Stern, July 1979 |
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| Istvan Eorsi, I Read the Theater Heute: Squat, Elet es Irodalom, June 30, 1979 |
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| Endre Hules, Szinhazi Mustra Beldradban, Film, Szinhaz, Muzsika, October 6, 1979 |
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| Nicola Fano, La morte dell'utopia, Lo Squat Theatre all"Alberico, Vita, October 3, 1979 |
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| Paulo Russo, Lo Squat Theatre a Firenze, Avanti, December 4, 1979 |
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| Lia Lapini, Andy Warhol in vetrina, Lo Squat Theatre e i rimandi fra strada e spazio teatrale, Paese Sera, November 18, 1979 |
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| Maurizio Giammusso, Lo Squat Theatre all'Alberico:quando la scena e una vetrina, Corriere della Sera, October 3, 1979 |
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| Gianfranco Capitta, Barbie prende il microfono. La moda diventa show,Tutta una sfilata dallo Squat Theater in New York a Palazzo Pitti, Il Manifesto, October 5, 1980 |
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| Claudia Herstadt, Fassbinder is Fascinated by the "Death" of Warhol, Squat from USA inspires the director, Express, June 1981 |
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Squat Play Banned in Bruxelles Andy Warhol's Last Love, Associated Press (1979) |
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| H. L. Protestation du Festival international de Theatre contre une intervention de police, Le Soir, November 6, 1979 |
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| Tracking down porn in the Big Apple, by Carl B. Weisbrod, The Washington Post (1979) |
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CHEKHOV'S THREE SISTERS |
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| Three sisters by Chekhov, by David Sterritt, Christian Science Monitor (1980) | |
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Squat's Three Sisters by Frank Rich, New York Times (1980) |
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MR. DEAD & MRS. FREE |
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| Mina Kindl, Superbaby with video eyes / Fassbinder filmed Theater der Welt In Cologne, Tip Magazine, July 17, 1981 |
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| Shows that literally spill out onto the street by David Sterritt, Christian Science Monitor (1982) |
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| Peter Becker, Das Squat Theater plays Mr. Dead & Mrs. Free, Theater Heute, August 1981 |
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| Squat Theater Explodes Conventions by Roger Copeland, New York Times, (October 17, 1982) |
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| Eileen Blumenthal, Liberty, or Death, Village Voice, October 10, 1981 |
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| Jessica Abbe, Some Stark, Violent, Funny Images, The Villager, October 29, 1981 |
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| Alexis Greene, America The Violent, Other Stages, December 31, 1981 |
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| John Howell, Toxic Shock, Soho Weekly News, November 17, 1981 |
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| Tony Awards: Mr. Dead & Mrs. Free Squat Theatre, East Village Eye, January 1982 |
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| Marilyn Stasio, America The Baby Monster, New York Post, January 2, 1982 |
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| Susan Korossi, Mr. Dead & Mrs. Free, The Drama Review, January 1982 |
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| Shelley Berc, Squat's Cosmic, Comic Confrontation with New York City, The Villager, January 14, 1982 |
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| David Sterritt, on Mr. Dead & Mrs. Free, Christian Science Monitor, March 18, 1982 |
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| Gary Indiana, The Radioactive Child, Cover, no.6, January 1982 |
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| Gianfranco Capitta, L'ultimo Amore di Andy Warhol di Squat / Un teatro che fa harakiri in pubblico per mostrare magnificamente la crisi della rivoluzione e dell'arte, Il Manifesto, April 1980 |
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| THE BATTLE OF SIROLO | |
| Giuseppe Bartolucci, The Battle of Sirolo, Polverigi, produzione Inteatro, 1981 |
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| Gianfranco Capitta, L'Apocalisse sulla riviera adriatica, Il Manifesto, July 10, 1981 |
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| Nico Garrone, A Polverigi, The Battle of Sirolo, Attenzione: l'America brucia, la Repubblica, July 13, 1981 |
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| Jean-Pierre Thibaudat, Sous le pave d'Avidnon la Plage Polverigi, La Liberation, July 16, 1981 |
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| Life and Art Overlap for Squat Theatre by Kevin Kelly, Boston Globe (1985) |
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| Squat Theatre Bends Limits of Stagecraft (1985) |
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| The Minefields of Desire by Bice Kuriger in Parkett (1985) |
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| Squat Theatre's Dreamland Burns by Mel Gussow, New York Times (1986) |
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| Squat company: audacious, provocative stagecraft by David Sterritt, Christian Science Monitor (1986) |
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| A Garden of Unearthly Delights Kennedy Center, by Joe Brown, The Washington Post (1986) |
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| Outsiders' Dreamscope; A Haunting Arrival At the Free Theater Kennedy Center by David Richards, Washington Post (1986) |
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| Eszter Balint's American Dream Neo-punk Hungarian refugee brings talents to Briar Street Theater Chicago Sun (1986) |
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| Squat Theatre-Hungarians Take a Stance on America by Craig Bromberg, Los Angeles Times (1986) |
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| Dreamland Burns' is aflame in multimedia surrealism by Hedy Weiss, Chicago Sun (1986) |
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| New-age exhibit to close with `Dreamland Burns', by Gilbert Jimenez, Chicago Sun (1986) |
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L-TRAIN TO ELDORADO |
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| Squat Theatre's `L' Train to El Dorado UC Berkeley, by Bernard Weiner, San Francisco Chronicle (1988) |
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| 'Eldorado,' At BAM Next Wave Festival by Mel Gussow, The New York Times (1987) |
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LITTLE HOUSE ON THE PRAIRIE by Stephan Balint |
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| Chelsea: Where the avant-garde rubs shoulders with Old New York, by Andrew L. Yarrow, NYT (1987) | |
Plays by PETER HALASZ |
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| 'Ambition,' By Halasz, by Mel Gussow, NYT (1987) |
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| She Who Once Was the Helmet-Maker's Beautiful Wife, by D.J.R. Bruckner, NYT (1992) | |
EXHIBITIONS / CATALOGUES |
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 The Downtown Show, The New York Art Scene 1974-1984, |
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 Visions for a Changing Theatre (Exhibition/Symposium) on radical theatre as viewed through the lens of Mark Amitin's work as producer, manager, director, writer and teacher from the late 1960s through the 1990s NYU Bobst Library's Tracey / Barry Gallery from October 9, 2003 until March 2004 |
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 Kassak Studio-Squat Theatre, Photos by Endre Kovacs, Ludwig Museum, Budapest, 2004, essay by Can Togay in the exhibition catalogue |
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 Theodore Shank, Contemporary Experimental Theatre, a photo exhibition catalogue with photos and text by the author, Frankfurt-am-Main: Theater am Turm, 1981, images 33-34 |
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 Mr. Dead & Mrs. Free's Cafe, an installation by Squat Theatre as part of a group show at |
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| Jazz-blues pianist SUNNYLAND SLIM performs at Squat Theater. BIG TIME SARAH, protege of Slim, makes NY debut, by Robert Palmer, NYT, July 16, 1979, Sec.3; P.16, Col.1 |
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| The Blues Find a Home in a 23rd Street Theater, by Robert Palmer, NYT, July 20,1979 |
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| Continuing blues jam sessions held weekly at Squat Theater, by John Rockwell, November 13, 1979, Tuesday Section 3; Page 26, Column 2 |
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| Blues guitarists J B HUTTO and LEFT HAND FRANK CRAIG perform at Squat Theater, by Robert Palmer, July 22, 1979, Sunday section: Page 32, Column 5 |
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| MARTIN FISCHER East Village Eye, April 1980 by B. Haye, Richard Fantina |
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| Bop Getting Ready to Funk! by Michael Shore, Soho Weekly News, January 24, 1980 |
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| JOHN CALE - Rock performer John Cale concert at Squat Theater, NYC, John Rockwell, May 26, 1980, Section 3; Page 14, Column 4 |
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| AFTER POLITICS, THERE'S ROCK, DISCO OR POP CLUBS TO VISIT, by John Rockwell, NYT (1980) |
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| An exhausting guide to Manhattan's jazz clubs, by Michael Shore, Soho Weekly News (1980) |
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| ESTHETIC OF THE FAKE STIRS ROCK WORLD LOUNGE LIZARDS -by Robert Palmer, NYT (1981) |
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| JOE BOWIE AND HIS DEFUNKT IN TOWN FOR TWO GIGS - by Robert Palmer, NYT (1982) |
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| TWO PROGRESSIVE BANDS ETRON FOU LELOUBLAN and SKELETON CREW -, by Jon Parales,NYT (1982) |
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| SUN RA AND HIS ARKESTRA - by John Swenson, UPI (1996) |
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| about Sun Ra, by John Rockwell, NYT (1981) |
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| SUN RA - Soho Weekly News - by Michael Shore (1981) |
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