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the plays, the movies, the concerts and the people at
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WHY WAS The Squat Theatre INTERNET ARCHIVE ESTABLISHED?
In the spring of 2003 I received a phone call from Berlin from a friend who was looking for the original DNA soundtrack of |
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" I recalled this wonderful theatre group, called the Squat Theatre, that had been in New York in the '70s and '80s, and they performed in a storefront space. Often you came in, and just like in our film there would be a drape, and then they would find some excuse to open this drape and reveal the street.
On one amazing night they did this piece called Mr. Dead and Mrs. Free. In New York City traffic they had this military jeep, with four soldiers in it, do a screaming U-turn in the middle of Twenty Third Street. The jeep goes up on the sidewalk while people are walking by, the soldiers jump out of the jeep, run into the theatre, grab one of the characters in the play, put them in the jeep and then they're gone. You never see them again, and that was the most amazing moment in live theatre I've ever seen!
So when we were trying to think of how we'd make the Robin show have more going for it visually, we thought |
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![]() On""On the Front" in Squat Theatre's Mr.Dead & Mrs.Free |
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![]() (Klara Palotai)g |
I never intended to publicly revisit my more than 10 years with Squat Theatre and our lives and work at 256 West 23rd Street. Our break-up happened in several stages, and was not without pain. But than I thought: "Why not?..Let's remember Squat Theatre". This website is destined to fill the void of Squat Theatre's presence on the net. The site is under construction, and will be for some time. The best way to navigate the site is to follow the links of the navigation bar on the collection page or those that are listed on this page. If you would like to get alerts when new pages are added please send me an e-mail to digitalarchive@gmail.com WHO IS THE ARCHIVIST?This website is designed and maintained by Klara Palotai. |
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![]() Passers-bye in front of the storefront watching from the street the Squat Theatre play: Andy Warhol's Last Love |
You will find rich visual documentation of the three storefront plays: Pig, Child, Fire!, Andy Warhol's Last Love and Mr. Dead & Mrs. Free, and their remake as a trilogy entitled the "Golden Age of Squat Theatre" as well as contemporary reactions to these plays in the press in New York and elsewhere like in Play & Players by David Cregan (1977) about Pig, Child, Fire before Squat Theatre left Europe for the United States. Squat plays done after the group's break-up such as Dreamland Burns and L-Train to El Dorado and plays by Peter Halasz's Love Theatre will also be listed. As part of the Golden Age festivities a special event series was organized: "Attractions and Choices" as we called it, with guest artists including Jean-Michel Basquiat, Jim Jarmusch, Rammel-Zee, Shirley Clarke, Michel Auder and others. Village Voice ads, centerfold picks and various newspapers articles give a good account of Squat Theatre events and programs. |
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![]() "On the Front" in Mr. Dead & Mrs. Free (Peter Halasz, Stephan Balint, Peter Berg, Sheryl Sutton) |
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There are rich collections of research material with original documents of Squat Theatre dispersed in public libraries, university collections, in depositories of visual resources of experimental works of the 70's and 80's, as well as in personal archives in Europe and in the US. Out of public sight and beyond reach these extraordinary documents quietly crumble away in drawers and boxes due to ordinary decay of the photographs and printed papers. One of the missions of The Squat Theatre Archives is to digitally preserve visual and text documents of and about Squat Theatre and to make it accessible via this website. For other research materials such as articles, photos, posters, postcards, scripts and Squat related documents in collections, this site will provide an overview and a directory. If you need directions to material or have specific questions about Squat Theatre that you do not find here you can send me an e-mail to |
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WHAT ELSE IS IN THE ARCHIVE? The Squat Club opened when Janos Gat who lived in the house with his wife Sheryl Suttton asked our block neighbor Dollar Brand, in Hotel Chelsea, to give a concert in the theatre. He later invited from Chicago Big Time Sarah, Left Hand Frank, and Sunnyland Slim. We started to break even when we began booking rock concerts: Lenny Kaye, the Television, and the Heartbreakers were one of the first bands. |
![]() James Chance |
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James Chance and the Flaming Demonics
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Nico and Sun Ra played often, and while in New York, they all stayed at our house. The debut concert of August Darnell's Kid Creole & the Coconuts was in our club. DNA, the Lounge Lizards, James Chance played on a regular basis. Squat Theatre hosted a few plays and performances, including one of John Lurie's first solo performance in 1979 and soon after in the same year Nightshift's Men's Business by F.X. Kroetz, directed by Lindzee Smith. The list of concerts and artists who played at Squat Theatre and a few live recordings are also listed with a separate music photo gallery for the images of musicians and concert flyers. |
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WHAT DOES THE SQUAT THEATRE INTERNET ARCHIVE COLLECT? This website archives photos, texts, catalogues, programs, playbills, postcards, HOW CAN YOU SUBMIT MATERIAL FOR THE ARCHIVE? |
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![]() King Kong in the apartment, Budapest (Can Togay, Marianne Balint, Kati Örsi, Gergely Molnar) |
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![]() House Play, Budapest (Eva Buchmuller, Stephan Balint) |
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HOW CAN YOU NAVIGATE THE ARCHIVE?
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phSquat Theatre Digital Archive {concept/design by Klara Palotai 2003-2006}